The Arbiter Chronicles 03: Man of Letters

{B730C0B3-302F-4BD3-B106-80B76A4E9AE9}Img100A day in the life of the Arbiter crew is viewed through the alien eyes of Cernaq as he writes a letter to his mentor, Professor Mors.  Kaya must decide whether her future lies on Arbiter.  Cernaq and Aer’La share an… educational experience.  Metcalfe tries to explainEaster to the Arbiters.

Buy a downloadable mp3 at BooksAMillion.

Listen to the free podcast: Part One | Part Two | Part Three

This episode has also been novelized and is available in multiple formats, including iBooks, Nook and Kindle. Details here.

By episode three, it became sort of obligatory that we perform a new Arbiters show at every con we attended. Shore Leave in 2001 was our next venue, and I had always liked those simple “Day in the Life” episodes of shows. One of my inspirations was the M*A*S*H script, “Dear Dad” and its sequels. One character’s impressions of the others can always be fun, in particular when the character is as off-beat as Cernaq. As throwaway as the idea seemed, we all seemed to just love doing this one, especially since it involved an ab-libbed ending and a very juicy audio spit-take. And, of course, Cernaq and Aer’La’s romance was born in this episode.

CAST:

Announcer – Paul Balze
Atal – Dave Keefer
Carson – Scott Farquhar
Cernaq – Renfield
Metcalfe – Steven H. Wilson
Kaya – Beatrice Kondo
Aer’La – June Swords
Faulkner – Cindy Shockey
Mors – John Weber
Pallas – Renee Wilson
Psychiatrist – Cindy Woods
Mass – Paul Balze
Bimbo – Betsy Childs

Directed by Steven H. Wilson
Editing: Steven H. Wilson
Music: Scott D. Farquhar

The Arbiter Chronicles 02: A Man Walks into a Bar

While investigating rumors of an espionage operation on a primitive world, Cernaq must kill a man to save Metcalfe’s life. When his telepathic mind absorbs the killer’s personality, however, Cernaq becomes a danger to everyone around him. To save him, his friends must undergo a risky procedure, linking their minds to his.

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Listen to the free podcast: Part One | Part Two | Part Three

 

This episode has also been novelized and is available in multiple formats, including iBooks, Nook and Kindle. Details here.

Here was the first show to carry the Arbiter Chronicles title (at least in live performance), and for which Scott Farquhar, as composer, really got to show off his skills at creating, musically, the other-worldly atmosphere inside Cernaq’s brain. It’s one of our most popular episodes, and it won the Mark Time Silver Award in 2004. It was actually the first episode we studio recorded, because I thought it was the strongest. We had a blast putting it together, especially the hour or so spent with everyone doing the big “villain rant” at the end in different voices. It was performed live at Balticon in 2001.

CAST:

Announcer – Paul Balze
Atal – Dave Keefer
Carson – Scott Farquhar
Cernaq – Renfield
Metcalfe – Steven H. Wilson
Kaya – Beatrice Kondo
Aer’La – June Swords
Faulkner – Cindy Shockey
Lydia – Cindy Woods
Webley – Andrew Bergstrom
Rhodey – Paul Balze
Danvard – Paul Balze
Mors – John Weber
Teacher – Andrew Bergstrom
Pallas – Renee Wilson
Demej – Cindy Woods

Directed by Steven H. Wilson & Scott D. Farquhar
Editing: Scott D. Farquhar
Music: Scott D. Farquhar

The Arbiter Chronicles 01: Mutiny Springs Eternal

A Century ago, the expedition aboard the Faraday disappeared mysteriously, amidst rumors of a mutiny. Today, Arbiter has found the Faraday’s survivors on a forgotten planet, but these are children of the mutineers. They’re guarding a secret they’ll give anything — or take anything — to protect; and they’ve set their sights on Arbiter.

Buy a downloadable MP3 from BooksAMillion

Listen to the free podcast: Part One | Part Two | Part Three

 

This episode has also been novelized and is available in multiple formats, including iBooks, Nook and Kindle. Details here.

This script was written in September, 2000 — about 45 pages of it on a single day the weekend before it was performed! It only got written because there was a hole in the schedule for the main stage at Farpoint 2000. The year before, my friend John Vengrouskie had organized a live radio play in which I’d performed; and Bill Pullman had performed the following Christmas in an adaptation of It’s a Wonderful Life at the Kennedy Center, which was aired on network television. Pullman’s pages flying as he dropped his script inspired me to try live radio! So I took the characters from my (already drafted) novel Taken Liberty and worked them into the outline for a rejected novel, and I had a sixty-minute radio script. There was no series title. We just performed it. The audience liked it, and applauded when Paul Balze asked them, “Do ya want us to do more of these?”

Thus was born The Arbiter Chronicles as a radio series. In my experience, there never was so fortuitous a hole in a convention schedule.

CAST:

Announcer – Paul Balze
Aide – Steven H. Wilson
Fournier – Paul Balze
Atal – Dave Keefer
Carson – Scott Farquhar
Kaya – Beatrice Kondo
Cernaq – Renfield
Metcalfe – Steven H. Wilson
Trace – Renee Wilson
L’lanck – Paul Balze
Andrews – Andrew Bergstrom
Dawson – Bill Weithers
Aer’La – June Swords
Captain Trat – Scott Farquhar
Faulkner – Cindy Shockey
Technician – Cindy Woods

Directed by Steven H. Wilson
Music – Scott D. Farquhar

 

Unfriendly Persuasion: : A Tale from the Arbiter Chronicles

ISBN: 978-0977385133
$20.00 (Book) $2.99 (eBook)

“Everything Is Going To Be All Right…” That’s what Lieutenant Terry Metcalfe keeps telling his friends and co-workers. A hero to the public, just months ago he successfully prevented the veritable destruction of human civilization at the hands of terrorists from the warlike Qraitian Empire. But Metcalfe has changed, grown unhappy with his role as an officer in the Confederate Navy. Distancing himself from his friends, he’s decided to join a religious sect which believes it’s literally found God living beneath the surface of the far-off planet Eleusis. And to be sure, there’s something there: an alien intelligence which reaches out to the young Lieutenant and offers him the power to protect everything he loves. But is Metcalfe finding the spiritual fulfilment he’s sought so long, or is he falling under the spell of a malevolent new enemy?

Steven H. Wilson’s original science fiction audio series, The Arbiter Chronicles, has captured the imaginations of audiences for over a decade. Winner of the Mark Time Silver Award and the Parsec Award for Best Speculative Fiction Audio Drama, it’s character-driven space opera in the tradition of Heinlein’s The Rolling Stones and Joss Whedon’s Firefly. Drenched in adventure, humor and sexuality, Unfriendly Persuasion joins its predecessor, Taken Liberty, in bringing new depth to the popular audio drama series.

Buy it!   Amazon   Barnes & Noble   Kindle   Nook   Other eBook formats via Smashwords

Peace Lord of the Red Planet

ISBN: 978-0977385126
$20.00 (Book) $4.99 (eBook)

His Death was only the Beginning… Shepherd Autrey is a Quaker, a physician, and a man deeply disturbed by the madness around him as the War Between the States bears down on his America in 1863. Dared by a friend to take an active role, Shep volunteers to provide humanitarian aid to the victims of Sherman’s scorched earth campaign in the Shenandoah Valley. There he runs foul of a Confederate recruiting drive and finds himself hanged by the neck from a tree. Awakening in a strange land which can’t possibly be earth, Shep is plunged into battle and saves the life of an alien warrior prince. Hailed by bloodthirsty killers as the bravest man alive, Shep combats his conscience, his flagging faith, and an ever-growing number of people who want him dead.

Buy it!   Amazon   Barnes & Noble   Kindle   Nook   Other eBook formats via Smashwords

Taken Liberty – A Tale from the Arbiter Chronicles

ISBN: 978-0977385102
$17.95 (Book) $4.99 (eBook)

AER’LA ONLY WANTED TO BE FREE The Confederated Worlds are unparalleled as a society of free people, yet, somehow, slavery still manages to exist. Aer’La, a non-human, was bred to serve as a pleasure slave. Years ago, she escaped her masters and masqueraded as a human, joining the Confederate Navy, where she worked her way up to ship’s Bos’n under the heroic Captain Jan Atal. Now, Aer’La’s secret has been discovered by Atal’s superiors, the media, and the world at large. Branded a sociopath, she learns that even a free society isn’t willing to grant freedom – or justice – to all.

Review from Library Journal:

Though the Confederated Worlds have outlawed slavery, the traders of the Varthian system have perpetrated the institution under the guise of controlling the feral near-humans sharing their world, while in reality condemning them to lives of sexual servitude. When Bos’n Aer’La is exposed as a feral and a fugitive from her homeworld, the Varthians want her back, and the authorities of the Confederated Worlds decide to cooperate rather than cause an interplanetary incident. Neither Varthians nor the Confederation, however, reckons on the efforts of Aer’La’s commander, the legendary Capt. Jan Atal, and his crew, who face seemingly impossible odds to protect the freedom of a shipmate. The author of the Arbiter Chronicles, an award-winning audio drama, vividly brings to life a cast of compelling characters while telling a story that measures the cost of freedom. The far-future military setting should appeal to fans of David Weber’s “Honor Harrington” series as well as the military sf of David Drake. Recommended for most sf collections.

Buy it!   Amazon   Barnes & Noble   Kindle   Nook   Kobo   Other eBook formats via Smashwords

The Arbiter Chronicles 09: The Eternal Warrior

Now assigned to the prestigious CNV Titan, the Arbiters encounter an immortal haunted by ghosts, who leads them to a bizarre, savage encounter on an alien world.

Listen to the free podcast: Part One | Part Two | Part Three | Part Four | Part Five | Part Six

Way back in February, 2003, I premiered this, my first tribute to Edgar Rice Burroughs and his various immortal warrior characters like John Carter and Tarzan. Jack Carrington was a guy who’d been around for centuries–couldn’t even remember his own origins. He was haunted by the spirit of the woman he loved, and stalked by his equally immortal enemy. The plan was to score a trifecta with this live performance. Carrington would be voiced by Eric Pierpoint, his lady love by Pierpoint’s onscreen wife from Alien Nation, Michelle Scarabelli, and Alarthrask, the big bad, by Gary Graham. Well, as happens with live shows at SF cons, not everybody made it in time for the performance. Michelle had paying work, but Eric and Gary were on hand and had a ball doing this show (as you can hear from their chuckling in the background!)

This was the first of my second series Arbiter episodes, set aboard the Titan instead of the Arbiter, and introducing a new regular, Deputy Captain Phyn Darby.

Announcer – Paul Balze
Atal – David Keefer
Kaya – Beatrice Kondo
Darby – John Weber
Carson – Scott Farquhar
Cernaq – Renfield
Metcalfe – Steven H. Wilson
Pallas – Renee Wilson
Aer’La – June Swords
Faulkner – Cindy Shockey
Jack – Eric Pierpoint
Dantalia – Lynda King
Al – Gary Graham

Directed by Steven H. Wilson
Editing: Steven H. Wilson
Music: Scott D. Farquhar

 

 

 

She-Hulk Volume Four #2

(Or She-Hulk, Vol. 1, #99)

“Cause and Effect”

“99, I’ve waitin’ so long.  Oh 99, where’d we go wrong? Oh 99…”

Sorry.  Pardon the fragment of lyrics from Toto.  (“Who?” ask half the readers.  “Dorothy’s dog, right?”)  It’s just that I wanted to call attention to the fact that, 25 years after the first She-Hulk #1, we’ve finally reached issue #99.  That’s an average of less than four issues per year! Okay, so it says issue #2 on the cover.  Next issue it will say #100, promises our worthy assistant editor.

We continue the recent She-Hulk tradition of beautiful covers, and this one even has something to do with the story inside!  (Someone at Marvel musta missed that!)  And, although She-Hulk is very likely wondering, “whose comic is this, anyway?” as Hawkeye literally upstages her in the picture, it’s nice to see Hawkeye on a cover pretty much anytime.  Certainly, Greg Horn does justice to both our heroes.

We ended last issue with Jen and Pug entering his apartment at the end of the day, debating Jen’s professed intention to flout the rules of time travel and save the life of her dear friend Clint Barton, AKA the man called Hawkeye.

Detour #1:  Unless it’s just me being very dense (always possible), last issue left us with the clear impression that Pug’s unrequited love for Jen throughout Volume three had become, well, requited during the hiatus between volumes.  This belief is perpetuated as the argument over Jen’s “save Hawkeye” campaign continues between Jen and her boyfriend from opposite sides of the bathroom door.  It is Pug’s apartment, after all… and he did start the argument.  But he’s not the one finishing it.  I won’t say more.  Surprising (and disappointing) twist.  We’re clearly building toward something here, and building nicely.

Now, back on track with Jen’s time travel court case, for which the jury, selected from the recent past, includes Clint Barton.  Jen plans to let him know that he’s about to die.  She tries sign language during her cross-examination of a witness.  This is a nice reminder that Hawk should know sign language, being partially deaf and all.  Sadly, he’s also dense, like me, and doesn’t pick up on Jen’s message.  So, later, like Marty McFly, Jen writes Clint a letter, which she plans to hand to him at some point during the trial.

I think the most enjoyable part of this story, for me, is Jen’s refreshing disregard for the rules when Clint’s life is on the line.  This is atypical in modern comics, where death is slightly more inevitable on any given day than breakfast.  This, we are constantly reminded, is part of being alive, and should be viewed with detachment yada yada yada blah blah blah…

I’m glad that our Heroine doesn’t agree.  I hope other readers are also tired of hearing that death should be put in perspective.  Death should be told to take a flying leap.  Death is the enemy.  And comic writers need to stop giving aid and comfort to it!  (End of rant.  Swallowing my blood pressure meds, my prozac… okay… and we’re back.)

For those curious just where in the timestream this Hawkeye hails from, it’s confirmed that this is Hawk less than one year before his death.  So, if Jen happens to be successful in saving him, he won’t have missed much.  Hell, the only thing he’s likely to have forgotten would be Chuck Austen’s run on the Avengers, and that’s a good thing.  He and Hank and Jan can all be friends again.
The story arc is clearly not over with this issue, and I’ll not throw out any more spoilers.  Jen’s court case is resolved, though, with a very nice twist, and some nice slamming of petty lawyers (as opposed to good ones like Jen) in the personification of the prosecuting attorney at the end.

We’re building up to issue 100, where the Time Variance Authority has promised to erase Jen from history.  (Not sure how that could be in any way construed to be within safe guidelines for protecting the course of history, but these are bureaucrats, so…)  This is a result of her attempt to divulge knowledge of his imminent demise to Hawkeye.  I won’t say whether she succeeded in passing the info or saving Hawkeye, mostly ’cause we don’t really know yet.  Time — and issue #100 — will most likely tell.

The big centennial issue promises 40 pages of new material, plus reprints of issues #1 of both Volumes 1 and 2.  Pretty cool, even if you already own the reprinted issues.  Reprints keep comics history alive!

Until then, keep your gamma changer plugged in!

She-Hulk Vol. 4, # 2
“Cause and Effect”
Writer: Dan Slott
Penciller: Juan Bobillo
Inker: Marcello Sosa
Letterer: Dave Sharpe
Colorist: Dave Kemp
Editor: Tom Brevoort
Ass’t Editors: Schmidt, Lazer & Sitterson
Editor in Chief: Joe Quesada
Publisher: Dan Buckley
Cover: Greg Horn

Oh, Jesus, it’s Ayn Rand!

So, yeah, see, the trouble is that I’ve been too busy to do much reading lately. If I sit down and pick up a book, I just fall asleep! So here’s yet another non-review…

AynRandVersusJesusOkay, let’s by up-front and honest. I hate these things. Is there a term for them? These photos that get posted on Facebook, and presume to present the wisdom of the ages in sound bytes so simple that even a TV news anchor could repeat them and pretend to understand them. I’ve often been tempted to create one that says “if your political and/or life philosophy fits here, you shouldn’t be allowed to vote.” But I can’t decide what picture to put behind it.

Why do these things bother me so much? Because they are so simple and basic. They rely on unstated assumptions, and they carry with them the unspoken message “and if you don’t agree, then you not only can’t be my Facebook friend, you also can’t come into my bomb shelter, and you can’t breathe the same oxygen I do. Please die now.” Okay, that’s a little extreme, but they certainly don’t promote tolerance or the acceptance of any kind of middle ground. They’re all about polarization.

Case in point, the above photo of Ayn Rand side-by-side with an artist’s rendering of some Caucasian whom a lot of people will mistake for Jesus of Nazareth. Underneath each is a quote.  One is verifiably Rand’s: “I am against God. I don’t approve of religion. It is a sign of a psychological weakness … I regard it as evil.” The other is a translation of a translation of a second-hand account of something Jesus is alleged to have said, put to parchment nearly 40 years after Jesus’s death, possibly by a Syrian or Palestinian author: “It is easier for a camel to go through the eye of a needle, than for a rich man to enter into the kingdom of God.” (The Gospel of Mark 10:25. The same quote is attributed to Jesus in Matthew, as these two gospels are believed to pull a lot of material from the same sources. Indeed, as Mark is the oldest Canonical gospel, it may have been a source for Matthew.)

Beneath all this is the admonishment, “Dear Republican Party… Please choose one. Otherwise you’re doing it wrong.”

Okay, first question… What is “it?” This is another pet peeve of mine: using the word “it” in cases where the reader cannot determine from context what “it” is. It’s bad writing. It’s disorganized thinking. See? Both those “its” refer to the earlier, defined act of not giving a proper definition in context. But the viewer of this image is left to decide from his or her own knowledge and experience what the author means by “it.” In other words, he or she is left to try and read the author’s mind.

My telepathy tells me the author means “practicing political philosophy,” but my telepathy has been known to err.

Next question… What is the assumption? I said there’s an unstated assumption in all of these whatever-they-ares that litter social media. This one’s a little tricky. On the surface it’s that Jesus and Ayn Rand are of sufficiently equivalent stature that they should be compared at all.

Of course, from one perspective, they are.  If you look at the historical Jesus of Nazareth, son of a carpenter, and the historical Ayn Rand, daughter of a Russian pharmacist, you see a lot of similarities.

While only one of the people pictured is a Jew, both Ayn Rand and the historical Jesus were Jewish. Ms. Rand just hasn’t been divested of her Jewry through centuries of artistic interpretation, as has this sandy-haired gentleman above. Give it time, though. In a recent Marvel Comics publication, she was depicted assisting Nazis, so at least one modern socialist is unaware of her ethnic derivation. And many, many modern Christians have grown up believing that Jesus was a White, Anglo-Saxon Protestant.

Both were precocious – Rand taught herself to read at six, and Jesus debated the clergy at twelve. Both disapproved of the societies into which they were born. Both spoke to the masses about the correct way to live. Both had disciples. Both have their words published in many languages, and those words are still in print long after their deaths. Jesus has had a much longer run, of course, but then Rand got power of veto over the words attributed to her, and he didn’t.

They did, of course, espouse very different philosophies. Jesus was a First-Century Jewish Apocalyptic prophet who believed that all the evil in the world was about to bring about a cataclysmic change, and that the only hope for humanity was to profess faith in the God of Abraham. Rand believed that man’s purpose was to live for his own fulfillment and happiness, and that his intellectual achievements were all he had to protect him from evil. Jesus believed in helping anyone who needed help, in order to lead them to God. Rand believed that a lot of that “helping others” talk became just another excuse for the less weak to prey on the more weak, along the way stealing everything they could from those who were truly strong.

So here are two of the Chosen People who both wanted to make the world a better place, though they probably couldn’t have agreed on the color of the sky, much less on what the purpose of human existence is supposed to be.

Looked at that way, sure, you can place them side by side and say “Could two people be any more different? Their philosophies surely can’t be reconciled.”

But if you’re a traditional Christian (and by that I mean, not a fundamentalist or an evangelical, but any Christian who believes Jesus is a redeemer, a savior, a messiah. That he’s something more than a charismatic social activist.) then Jesus and Ayn Rand cannot be compared. One is divine, the other is mortal. Period. Which means that the image depends on the acceptance of a second assumption, and that is that Jesus is not, in fact, divine.

(I bet the creator of the image would argue that there’s another possibility – that people like Paul Ryan see Rand as a god just as much as they see Jesus as one. That possibility exists only in the universe engirdled by their sarcasm. It is not reality. I will pay a cash reward to the first person who produces one confirmed Christian, not suffering an illness cataloged in the DSM-IV, who just as devoutly professes that Ayn Rand is of divine origin.)

“Please choose one, otherwise you’re doing it wrong?” Whoever wrote that probably also says that if you don’t vote either Democrat or Republican, then you haven’t actually voted.

But I get it, I do get it. The point the artist is making is that Republicans like Paul Ryan have let another idol (Rand) displace God and Jesus in their eyes. They’re putting their devotion to Christian ideals aside to hold up a belief that’s anti-welfare, anti-universal health care, anti-centrally planned economies. Jesus, after all, would support government welfare…

Wouldn’t he?

Well, he’s not here to answer. But when those on the Left start using Jesus as an excuse for the welfare state, I start to ask what ever happened to separation of Church and state? I agree with those who don’t want to hear America called “A Christian Nation,” who don’t want prayer in school, and who think atheists and Pagans should be allowed to be Boy Scouts. America is not supposed to have a state religion. Why then, is it okay to suggest that the American system of government should be built on the un-verified philosophy of a man (because, if you don’t have a state religion, you can only recognize him as a man for purposes of public policy) who wasn’t even a U.S. citizen, simply because some of the population assign supernatural significance to him?

Jesus is also known for saying that citizens of Rome were to “render unto Caesar that which is Caesar’s,” by which he meant that government was for the world of human making, not the world of God’s making. In spiritual matters, he advised his followers to deal only with God. Charity, to Jesus, seems to me to have been a spiritual matter. I don’t think he necessarily would have agreed that the best way to aid the poor was to have an a-religious bureaucracy collect money and redistribute it. That takes away the whole reason behind Jesus’s belief in charity – that it’s how you bring lost sheep back to the fold of the Lord.

My friend (and he is truly a good friend) who posted this on Facebook explained to me that, to him, it meant that you can’t be a follower of both Rand and Jesus. And maybe that’s my essential problem. I have heroes. I am happy to say that Rand and Jesus are two of them. But I don’t do following. I prefer to develop my own personal philosophy and make my own decisions. And I can tolerate neither the suggestion that I should do otherwise, nor the implication that Paul Ryan or anyone else is too dull-witted to do anything but follow a master. That’s my religious faith: that all humans have a spark of divine fire and the capability to think for themselves. If they use it.

Finally, the quotes that were picked concern me. They’re accurate, but they don’t either one really touch the core of their authors’ belief systems. Well, maybe the Rand one does. She did consider any sort of groupthink to be evil, and, as Marx noted, religion is often nothing but dogma and groupthink.

As to the camel and the eye of the needle… sigh… Redistributors of wealth love this quote… It appears to say that wealthy people are all evil. That’s not, I believe, what it was meant to say. It was meant to say that those who are very attached to the worldly things (as a rich person is prone to be) have a very hard time connecting to the spiritual. I don’t think Jesus meant that Heaven had a maximum income law and you’d be booted out if you showed up in a Lexus (though you might be if I was in charge of the gate!) I think he just meant that a person who’s so focused on worldly success as to become rich would probably not even try to accomplish the spiritual connection that he believed was necessary to come into contact with God, and thus dwell in Heaven.

Who is spiritually connected, after all? Ghandi? The Dalai Llama? Mother Theresa? Not a Lexus-driver in the lot. Who composed spirituals? Not the people who donated the stained glass windows to the churches, I can tell you that. No, spirituals, which ultimately gave us the heavenly sounds of jazz, were sung by slaves and destitute ex-slaves, whose only hope for a decent, humane existence was the promise of the Kingdom of Heaven as described by Jesus.  People in desperate circumstances, are, of necessity, more spiritually oriented. Or, as I’ve frequently said to my friend Lance Woods, if we’d both been born penniless, he’d be Alfred Hitchcock now and I’d be Frank Capra. But we were born middle class, and so we never had full contact with our creative centers.

The Camel quote makes a valid point, but it’s so misquoted and misused that, well, it’s become meaningless.

And how about giving their most important quotes, instead of a couple selected by a cynic who hates Rand and distrusts Jesus, specifically to make them sound as diametrically opposed as possible. (Was that unfair? That may have been unfair. I don’t know the person who created this image. I assign to him/her the characteristics of the most malanthropic of the liberal atheists I have encountered. For all I know, the person is a liberal Christian who loves Jesus, or a conservative atheist Randite. But I doubt it.)

Ayn Rand said “Don’t work for my happiness, my brothers — show me yours — show me your achievement — and the knowledge will give me courage for mine.”

Jesus said, “’Love the Lord your God with all your heart and with all your soul and with all your mind.’ This is the first and greatest commandment. And the second is like it: ‘Love your neighbor as yourself.’ All the Law and the Prophets hang on these two commandments.”

Those two quotes, I think, much better serve to show what these exceptional people believed. I think it’s perfectly possible to recognize the greatness in both, without signing on to follow either.

My question is, would Ayn Rand or Jesus lend their moral support to any of the political candidates we’re currently being offered?

Slight delay this weekend

Sorry, all, but last night’s storm coupled with a very busy work week prevented the next chapter of Unfriendly Persuasion from going up last night. Looks like it will be Sunday this week. Part of the craziness, though, is a project I’m working on that may soon bring some very exciting news! Stand by!

— Steve