What Drives Kylo Ren? The Psychology of a Poor Little Fascist Boy

“You,” she heard herself saying clearly, “you’re afraid. That you’ll never be as strong as–Darth Vader!” –from Star Wars: The Force Awakens by Alan Dean Foster

Spoilers. See the movie first. Blah, blah, blah.

Think about it—a kid raised to privilege. He’s the son of a princess who’s also a senator and a general. She may be on the run from enemies sometimes, but this is a lady who has access to entire planets to spread out and live on, and who commands a large, imposing fleet of space fighters. He’s also the heir to two generations of Jedi Knights, elite warrior monks who have control over the Force which binds the universe together.

Kylo Ren from The Force Awakens Continue reading

Ultraman Manga Action Figure – Guest Review on The Figure in Question

Ultraman Manga Action Figure of SH Figuarts

Photo by The Figure in Question – thefigureinquestion.wordpress.com

So I was happy to get an Ultraman Manga figure for Christmas. As a companion piece to my review of the trade, I wrote a guest-review of the figure on my son’s action figure blog, The Figure in Question.

Review – Ultraman (the Manga)

9781421581828_p0_v2_s192x300I don’t read a lot of Manga. I’ve read a half-dozen of them in my life. I have nothing against the genre, it just doesn’t often grab me. Even when a sort of hybrid Manga is produced, which stars characters I know from other media, the product usually doesn’t reach out and grab me.

According to Wikipedia, by the way, “Manga” simply refers to comics created in Japan; so the word “Manga” then wouldn’t necessarily refer to a body of work whose members all share the same characteristics, any more than American comic books all share the same characteristics. It would seem a bit silly to say that Neil Gaiman’s Sandman and My Little Pony are the same genre. But the Wikipedia article does specify that Manga works do conform to a particular style developed in late 19-th Century Japan, so I guess I’m not insane for thinking of them as a distinct genre.

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Mini-Review – Ultraman X

This is a short entry. Today is my birthday (my 50th) and I’m spending it all with my family and dear friends.

329A while back, I reviewed Ultraman Mebius, a series from 2007 which continued the very successful Ultraman franchise. I believe I explained then that Ultraman was a character created by Eiji Tsuburaya, also the creator of Godzilla, in 1967. The show had been imported to the US shortly thereafter, and was a big hit with kids my age in the early 70s. Mebius was the 40th anniversary tribute series, and I fell in love with it as soon as I saw it.

Since then, Tsuburaya Productions has released a couple of other series, including Ultraman Ginga. I didn’t watch it, and I got the impression it largely existed to market toys. Apparently, its premise was that all the Ultramen and all their monster foes had been turned into vinyl miniatures call Spark Dolls. None of the subsequent series seemed to hold the same interest for me that Mebius did.

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Arachne Looms – The Essential Spider-Woman Volume One

Marvel_Spotlight_Vol_1_32I’d read about half of these adventures before. I still vividly recall the announcement on the Marvel Comic’s monthly “Bullpen Bulletins” page: Marvel was creating two new super-heroines to star in their own series. Now I love super-heroines, and did, perversely, when I was in elementary school and wasn’t supposed to. You know those boys who didn’t buy female action figures? Yeah, I wasn’t one of them.

The new characters weren’t exactly original. Ms. Marvel (who premiered in her own title cover-dated January, 1977) was a hot-pants-wearing version of Captain Marvel, with an oh-so-Seventies scarf. And Spider-Woman? She wasn’t pictured in the announcement (Ms. Marvel’s cover was), but she sounded like another knockoff. Still, I’ve never said a word against Supergirl, Batgirl, Mary Marvel or Hawkwoman, so… I of course picked up both premiere issues. Spider-Woman appeared a month after Ms. Marvel in Marvel Spotlight #32. That’s where this collection picks up. Continue reading

Review – The Age of Chivalry by Thomas Bulfinch

140119This book is better known as one third of a classic volume–Bulfinch’s Mythology, which includes The Age of Fable (published 1855), The Age of Chivalry, or Legends of King Arthur (published 1858) and Legends of Charlemagne. The whole collection was one of my constant companions through childhood. I wore out the copies at my elementary and middle school libraries, I’m sure. It’s a great reference book, and, indeed, a lot of libraries keep a copy in their non-circulating reference collection. Or used to. I don’t really know what libraries keep in their reference collections in these post-Internet days.

But I kept Bulfinch’s Mythology on hand, I confess, primarily for the sake of reading and re-reading The Age of Fable. Until this year, with the exception of occasionally reading a brief entry on some character from Arthurian lore for research, I’d never read the second two books in the compendium. So, over the course of the past few weeks, having nothing else to do (hah!), I tackled these tales of the Round Table, and their token coverage of Robin Hood, King Richard and a few other note-worthies of British folklore.

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Review – The Secret History of Wonder Woman by Jill LePore

SHoWWI discovered Wonder Woman when I was about nine years old. The very first story I ever read was her first cover appearance in Sensation Comics #1. (Not the original issue, but a repro from the 1970s, when DC Comics cared about its history and took lots of opportunities to introduce new readers to old stories.) I quickly ordered a similar repro of Wonder Woman #1, and so I pretty much knew from the beginning that Wonder Woman’s creator, William Moulton Marston, who wrote under the name Charles Moulton, was a psychiatrist. I knew he was the inventor of the lie detector test (but, sadly, not the person who wound up with the patent for it), and that he had created his character intentionally to give comics readers an example of a strong female. (Not just, it turns out, as a role model for girls, either.)

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Review – When a Story Is Not a Story – Daniel F. Galouye’s The Infinite Man

175px-DanielFGalouye-InfiniteManTheThere’s nothing more disheartening for a writer than to read something published by a major house and think, “I can write better than this!” That’s especially true for a writer whose collection of rejection notices exceeds his collection of pay checks for work sold. (Isn’t that most of us, though?)

Oh, yeah, there is something more disheartening… having that work be authored by someone that one of your literary idols thought was a real talent.

I picked up a couple of books by Dan Galouye because he’s mentioned, in Robert A Heinlein: In Dialogue With His Century, as a writer whose work the Grandmaster really admired.

RAH must have read something by Galouye other than The Infinite Man.

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Review – Imitation of (a Very Sad) Life – The Imitation Game

THE IMITATION GAMEThis is the saddest film I’ve watched in a long time. Maybe ever. And, right up front, SPOILERS, SPOILERS, SPOILERS. Yeah, that’s kinda strange to say, given that the movie chronicles real-life events that happened 70 years ago and more, but, if you want to be “surprised” by events you didn’t know about, stop reading now.

Benedict Cumberbatch plays Alan Turing, arguably the inventor of the first electronic computer, and leader of the effort to break the Nazis’ top secret “Enigma” code during World War Two. Turing was a misfit from the word go. He was the smartest kid in his class, suffered, suggests the film, from OCD, and was gay at a time when homosexuality was an offense punishable by jail time or forced “chemical castration.”

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Random Harvest – Sadness as a Story Device

38aI tend to watch Random Harvest every Christmas. Funny, as I don’t think it actually contains any Christmas scenes. It’s a story that’s probably considered trite today, with a plot device that seems contrived: a World War I Captain (Ronald Colman) gets amnesia after suffering a trauma in the trenches at Arras. He establishes a new identity as “John Smith,” falls in love, gets married, becomes a father… then slips in the mud in front of a taxi cab, gets bonked on the head, recovers his original identity… and forgets that he was John Smith, a man with a family. Now aware that he’s Charles Rainier, a wealthy industrialist, he spends years searching for his lost identity. Continue reading