Category Archives: Reviews

I Just Finished – Action Comics #987

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The first issue of the much-heralded story, “The Oz Effect.” Who is Mr. Oz? Well, he’s a character who first appeared a couple years back in a middle-numbered issue of the last run of Superman. That was before DC launched “Rebirth,” this… um… lessee… Crisis, Zero Hour, Infinite Crisis, Final Crisis (do we count Final Crisis?)… New 52… Sixth? Fifth and a half reboot—well, now, I guess the introduction of the Silver Age Flash and all his JLA kin was also a reboot, so let’s go with six and a half reboots—six or seventh reboot of the DC Universe. Anyway, Mr. Oz is more than one reboot old, which is pretty damn ancient in DC terms, and he’s shown up a few dozen times these past few months, including in the eponymous DC Rebirth one-shot that started all the current shooting.

In this opening tale, the mysterious Mr. Oz declares that the human race does not deserve Superman or his family. Humans are just too selfish and petty, too easily swung toward the wrong choice, too prone to bring chaos. So Mr. Oz decided to give them a little push towards just that, in hopes of showing Kal-El that humanity is just not worth his time.

Right at the end, we learn the true identity of Mr. Oz. No spoilers, and I’m pretty sure it won’t stick; but it guarantees that this is a story I’ll want to read. Of course, so does Dan Jurgens name in the credits, but still…

A well-crafted story that touches on an old (but never-answered) question about being Superman: What the hell does he do when a lot of things go wrong at once? Here a lot of things do go wrong, and it’s enough to drive even the eldest of the super heroes to despair. Kudos to Jurgens for political even-handedness, by the way. There is, predictably, a white supremacist attack on helpless immigrants depicted. It’s the first crime Superman prevents. It’s followed up quickly by a thug spouting Occupy rhetoric as he tries to burn down someone’s house. It’s refreshing to see a piece of mass entertainment remind us that there are extremists on both ends of the spectrum, and they’re all dangerous.

I Just Finished – Marvel’s Inhumans – Episodes 1 & 2

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I’ve heard mixed reviews about this ABC TV series, and largely from people whose opinions I trust. I kept an open mind going into it, however. The Marvel movies have rarely disappointed me. Agents of SHIELD has overall stayed entertaining. I haven’t taken time to watch all of Legion, but, of course, Daredevil on Netflix is amazing. Jessica Jones held my interest, even though I don’t care for the character, and I liked the flavor of life in Harlem that Luke Cage brought to superhero television. I’m still in the middle of Iron Fist, and haven’t even started Defenders. But maybe because reactions to Inhumans were so mixed, I wanted to check it out.

I quite frankly loved it. It has some of the tone of SHIELD, but with more colorful, more recognizable characters. Recognizable for me, anyway, since I was a Fantastic Four reader from childhood, and the Inhumans were introduced in those pages. The show has humor, suspense and admirable heroes. I’m particularly happy with the casting choices for Gorgon, Crystal and Karnak. Those actors especially brought energy to sometimes under-appreciated supporting roles. And seeing Lockjaw, looking like, well, Lockjaw, popping in and out of the scenes, transporting his fellow Inhumans all over the world and the moon, was a treat.

A lot of comments I heard during the publicity phase of the series focused on Medusa’s hair looking fake. Well, I had to agree it looked a little odd, but then it always looked a little odd in the comics. Fortunately, the producers found a way to squeeze a fix for that out of their plot. I’ll avoid spoilers, but it’s just one more way Maximus the Mad parallels Thor’s Loki, if you know your Norse myths.

I’ll be interested to see where this series goes.

I Just Finished – Superman (1939) #202

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I have a great fondness for Giant-Size comics. When I started reading, DC was in its phase of publishing its most popular comics as 100-pagers, with a wealth of reprint material from the 1940s up through the 1960s. It was a great way for a new reader to get immersed in the history of the characters, and, of course, a kid got the equivalent of four comics for little more than the price of two. I have no problems with comics for adults, but I think it’s important to keep them accessible to kids. Childhood is where we really learn to dream and imagine.

Anyway, I grab 80-page and 100-page issues from the past whenever I can. This one doesn’t offer much variety. It contains reprints of Bizarro World stories which had run monthly in Adventure Comics only about five years before this issue was published. They’re a bit repetitive—Bizarro’s obsession with Frankenstein shapes at least two of the stories. But they’re fun, especially when other members of the Superman family guest star. There’s not much depth to 1960s DC stories, at least those published before they shook things up around 1968; but they’re almost always fun.

One thing I find odd, in all the play that Bizarro got as a character in the 1960s, his origin was never represented in the course of my readings. Any time he appeared, we were  just told he was the result of some scientist pointing an imperfect duplication ray at Superman. Although, in one story in this issue, we’re told it was pointed at Superboy instead.  Continue reading →

I Just Finished – The Venus Belt by L. Neil Smith

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Once upon a time, science fiction wasn’t only published to gently massage the psyches of readers who are politically left of center. L. Neil Smith is an unashamedly libertarian author, best-known, sadly, I think, for writing the Lando Calrissian adventure novels back in the early 80s. (Which novels, by the way, I reviewed for SeqArt’s upcoming third volume of Star Wars essays.) Possibly his best-known original work is a novel called The Probability Broach. It’s a tale about alternate universes and traveling between them, and it establishes a world called The American Confederacy, a place where one word made all the difference in what happened to the nation that formed when the colonists revolted and broke away from England in 1776. That word was “unanimous.” In the American Confederacy, government power depends on the unanimous consent of the governed. You can imagine not a lot gets done by government in that America, which is exactly what libertarians are after. The Probability Broach also delightfully offers a solution to the question of nature vs. nurture. Its answer? Free will wins over them both.

This novel, one of several set in the American Confederacy is not as eye-opening as The Probability Broach. That bar was set pretty high. It’s solidly entertaining, though. For me, it’s just so nice to read a story where the villains are named “Hamiltonians.” If you didn’t know that I deplore Alexander Hamilton, you probably don’t know me very well. It offers one of the more creative comeuppances I’ve seen for the vile villains at the end, too. The title derives from the project the heroes undertake in the book—doing a little solar system re-engineering by turning Venus, a not particularly useful planet, into a second asteroid belt which can be mined for resources. Smith’s hero, Detective Win Bear, reflects on the morality of such a drastic change to the environment:

“But, hell, all life has environmental impact, just by nature of its being. Intelligence manipulates its environment, purposefully, instead of the other way around. [Dissenters] to the contrary, to do less is to resign from being sentient. To denounce it is to renounce intelligence.

“Which, I suspect, was their point all along.”

I Just Finished – Generations: Hawkeye

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Marvel Comics once again reaches out to its older fan base—or at least the part of its fan base that thinks fondly of the comics of 40 years ago—with a series of one-shots all built around the premise that their current, young characters meet their namesakes from the Bronze Age: Teenage, time-displaced Jean Grey meets the Phoenix, circa 1979; Amadeus Cho meets a Bruce Banner I don’t know enough about Hulk history to place, but certainly pre-1980. Carol Danvers Captain Marvel meets a pre-cancer Mar-Vell.

 

 

That last one is cheating a bit, since Carol is also a Bronze Agecharacter, and was, in fact, present in Mar-Vell’s book from the get-go. I can take or leave Hawkeye Clint and Hawkeye Kate. I like them both best when they’re on teams. Sort of the way I feel about Wolverine. But, flipping through this issue, I saw it heavily featured Clint’s mentor, the Swordsman. I’ve been fascinated with the Swordsman since I read the opening line of my first-ever issue of The Avengers. That was “The Swordsman is dead!” I was nine years old, and I didn’t really understand what was going on in that issue; but I could see that this was a story about a lot of heroes and villains who had a lot of history together, and I wanted to know more. That’s pretty much how Marvel hooked fans in my day—not with indigestible “Summer events,” but by presenting a complex universe as a sort of a puzzle to solve.

At any rate, a good, character-based story, featuring a Clint Barton Hawkeye who was probably plucked out of time shortly after the Kree-Skrull War (Avengers 97) and about the time of his defection from the Avengers for the Defenders (Avengers 109, if memory serves.) I base this on the fact that he’s in classic costume, which he was not from Avengers 63 until Avengers 109, and the fact that he doesn’t look at the Swordsman and say, “Go away! You’re dead!” which he would have after Avengers #130. Nor would he have called Sword a villain after Avengers #114, when his mentor became a regular member of the team. Okay, geek-out moment over.

Fun story, Good read. Who doesn’t love Hawkeye? Or, um, Hawkette? (Terrible name!)

I Just Finished – Marvel Team-Up (1972) #25

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I have a lot of back issues, mostly bought at quarter and dollar sales. I tend to pick up series I didn’t read when I was actively reading in the 70s, series I just missed because I didn’t read many comics in the 80s, and whatever I can find cheap from the Silver Age. And then they sit there in my “Unread Comics” box… boxes… until I find time to read them. It’s getting to be daunting task. I recently sorted them into groups of 60s, 70s, 80s and “later,” to encourage myself. I have a real fondness for the comics of my childhood, so the 60s and 70s issues at the front, with their delightfully yellowed pages, cheer me.

Ironically, I picked this issue up the night its author, Len Wein, died. It’s a nice little piece of Marveliana. Spidey and Daredevil meet, manage to find a reason to fight each other (Marvel heroes almost always fought each other before realizing they had common cause) and then go to rescue the kidnapped daughter of a powerful man from the clutches of The Unholy Trio, later known as Count Nefaria’s Ani-Men. It’s a completely standalone story. MTU, by virtue of being just an excuse to put Spider-Man on another cover and maybe boost sales of other books by introducing a character casual readers didn’t know, didn’t really have a thread that spanned multiple issues. At least, it didn’t until Chris Claremont took over the book. But it was nice to read an average Marvel story, one more by Len, in his honor.

I Just Finished – Star Trek Discovery (Episode 1)

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“Shoot big now!”

Okay, that really doesn’t mean anything, other than it was my family’s reaction to the first hour (read: first 40 minutes) of the new Star Trek series. I mean, really, CBS, 40 minutes? You’re asking people to pay to watch this show, and you can’t give its fans a full hour? Maybe they’re afraid its fans wouldn’t have the patience to sit for 60 whole minutes? The pacing of the show is so lightning-quick, one wonders.

Which leads me to a special request: can anybody quantify for me, or point me to good, scholarly piece which does quantify, how TV scripting works differently now than it did when Star Trek was first on the air in 1966? I know it does work differently. Scenes are shorter, pacing is faster, there’s more action, and, of course, no story is ever resolved in a single episode. But I’d like to see and down-and-dirty discussion of what all the changes are, and how and when they happened.

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I Just Finished – The Handmaid’s Tale

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This book came out my sophomore year in college, a time when I was both voraciously devouring science fiction, and still considered myself a bleeding-heart liberal. I mean, I had just voted for the extremely uninspiring Walter Mondale! Still, something about the book discouraged me from reading it. Maybe it was the fact that, though it was in the SF section of the (excellent!) UMCP Bookstore, it seemed to want to be ‘literary,’ and I have always distrusted pretentiousness. Science fiction was so often condemned for not being ‘literary’ that I didn’t want any truck with the other camp.

Or maybe it was that the clearly feminist theme was not something I wanted to dive into, given that I was in classes with a lot of budding third-wave feminists, and they were beginning to make me uncomfortable. I had certainly had my first encounter with the works of Andrea Dworkin by that time, and my response to them was, “Ew! Hate much?” (Okay, no, in 1985 no one talked that way. Still…)

But my wife likes the TV show on Hulu, and so the book landed in our shared audible queue. So I gave it a listen and I’m glad I did. It’s an honest book, and a thoughtful one. If deals in misogyny and religious fundamentalism, but doesn’t beat the reader in the face with either. It shows how members of an oppressed class can become their own worst enemies, enabling the oppressors. It has nice touches of humanity and well-developed characters, and it ultimately shows that, if one class is denied freedom, freedom is lacking for everyone. An important message.

Will I watch the TV show now? Hmmm… Anybody both read the book and watched the show?

I Just Finished – Uncanny Avengers (2015) #26

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I was pleasantly surprised by this issue. I haven’t been following the series since its first couple of issues. I have no patience with the “The Scarlet Witch is so sorry for her crimes” storyline that just goes on and on. The early issues just seemed to be an extension of that, played out with Rogue as the voice of all the younger fanboys and fangirls who don’t understand that Wanda Maximoff was once a really good character, and that her downfall, like Jean Grey’s, had a lot more to do with male writers’ insecurity with powerful female characters than it did with those characters being inherently flawed.

I tend to pick comics by their authors these days, but I always flip through an issue that features a favorite character. So, though I’ve never read Jim Zub’s work, I was drawn by this issue which proudly proclaimed, “The Witch is back! Wanda made some covers of Secret Empire, but really had nothing to do in that plodding and over-written story. So her taking center stage would, indeed, be refreshing.

An initial flip through the book suggested just more Wanda/Rogue angst, but I’m glad I decided to grab it anyway.

One of the things I always loved about The Avengers was its pacing. Throughout its first 300 issues, the characters took time to have lives, as well as adventurous careers, and we saw them doing simple things like shopping, going on dates, sitting around the mansion shooting the shit and contemplating life. They felt like people. “Big Blazing Battle Issues” did not attract me. Stories where real lives were interrupted by cosmic events did.

Unfortunately, for decades now, the Avengers have largely been written to cater to the Big Blazing Battle Issue!!!! crowd. Way too much plot, way too little characterization, and, strangely, very little happening in any given issue. Even Mark Waid’s latest run on the main Avengers title has seemed prey to this.

But Zub, Izaakse and Bonvillain’s tale in this issue feels like a classic story from days gone by. Graviton shows up with a somewhat philosophical (if maniacal) plan, but first there’s time for the characters to pause and be people. And the anti-Wanda angst is there, but not overplayed. Indeed, the clash between Wanda and Rogue is organic, and reminiscent of the first time Graviton showed up, an issue which opened with the Vision and Wonder Man slugging it out because Vizh was dealing with jealousy for the first time in his synthetic life. Best of all, the art looks like comic-book art, and not the weird fusion of photo-realism and impressionism that’s been draining the life out of the characters in the main title.

I Just Finished – Superman (2016) #27

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Two months ago, in honor of July 4th, Peter J. Tomasi, one of my favorite comics writers, together with Patrick Gleason, offered up a two-part Superman story called “Declaration.” Lois, Clark and their son, Jon, take a tour of the United States to visit historic sites. On this trip, they meet the Dowd family, who, for 154 years, have celebrated the birthday of Thomas Dowd, their ancestor, at Gettysburg. Thomas died in a military hospital and his body was never recovered. The story brought tears to my eyes, and not only because Tomasi and Gleason told it so well.

You see, I have a Thomas who fought in the Civil War. His name was Thomas Rathbone, and he too died in a military hospital. He was my great, great grandfather. His body, too, was never returned home. Over a century later, some of his descendants journeyed to Ashland, VA, to place a marker on a mass grave where we think he was buried.

The fictional Thomas Dowd fought for the Union army. The very real Thomas Rathbone fought for the Confederacy.

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